Entry tags:
- !event,
- arcane: vander,
- d. gray-man: tyki mikk,
- dragon age: anders,
- elder scrolls (the): voryn dagoth,
- ennead: set,
- expanse (the): amos burton,
- final fantasy xiv: emet-selch,
- final fantasy xiv: hythlodaeus,
- genshin impact: kaeya alberich,
- genshin impact: zhongli,
- mob psycho 100: reigen arataka,
- oc: liem talbott,
- orv: dokja kim,
- orv: sooyoung han,
- until death do us part: mamoru hijikata
⏳ THE SCORCHING ISLE: Oracle Event One ⏳
ARRIVAL
All Bearers have heard whispers of them - the Oracles. Mysterious and unknown entities of an abstract nature, they serve as the heart of each faction’s cause - both as a means to an end and a very real stepping stone in achieving their objectives. To claim an Oracle means growing ever closer to victory: to see your homes restored as they were, or to herald in a new one of your making.
So you go.
A Cornerstone has been set up for each faction; one for the Zenith and one for the Meridian in Yima’s manor and Heliopolis, respectively. They warn you that upon transportation, your safety cannot be guaranteed and there is no telling what waits for you beyond - to be prepared. To make sure you have whatever you deem necessary with you before you go, as there is no telling when - or how - you will be coming back. CONTINUED HERE...
Upon your arrival, you woke up with an HOURGLASS NECKLACE. Please refer to the Time Mechanics on the OOC Summary and bottom of this post for details on its usage.
The COURTYARD is frozen in time. Player Characters and the Great Tree are the only signs of moving, free life in the courtyard. During the intro, time magic does not work.
Characters are free to investigate but cannot move beyond the courtyard if you choose a prompt during the intro. You may mingle among your fellow Bearers or speak with [MR. TIBBS] if you so choose. (Also? LOOK AT HIM HELP)
Iconoclasts and Stargazers will notice Aspect benefits/detriments now.
All characters will be weak for the 24 hours - think like mild flu - and unable to leave until Mr. Tibbs has dispersed them. This is the time in which any threads with the NPC will be carried out.
The INTRO concludes with said dispersal of PC’s once interactions concluded. They will be sent to a location around the castle of your choosing; they are free to move about freely from here. Your prompts can start with you waking alone or in the presence of others - whatever you’d like!
Your character will innately understand how to use time magic from this point forward. It will come naturally to them, like a skill they were born with.
So you go.
A Cornerstone has been set up for each faction; one for the Zenith and one for the Meridian in Yima’s manor and Heliopolis, respectively. They warn you that upon transportation, your safety cannot be guaranteed and there is no telling what waits for you beyond - to be prepared. To make sure you have whatever you deem necessary with you before you go, as there is no telling when - or how - you will be coming back. CONTINUED HERE...
NOTES
CASTLE: OVERVIEW (p a s t)
The Scorching Isles is home to the Atirat, a people of sea-dwellers who have the ability to walk on land. (Think mermaids with the ability to shift back and forth between human and mermaid forms.) As such, much of the Scorching Isles is covered in large bodies of blue water and glistening pieces of ice to accommodate their lifestyle.
THE CASTLE, however, is what dominates the landscape and it's where the Shard-Bearers will be spending their time. The white castle with colorful glass windows is obscured by a thick layer of clouds and fog. Nearly every location on the island has a thin layer of fog that rolls through it, which gives the entire Island an inescapable chill. The castle has artfully built rooms with a CAVALCADE OF DECORATIVE ICE, lavish mirrors, and white plants accented with blue decorations. Several portions of the castle are submerged due to the aquatic nature of the native residents.
And everywhere you go, you find them - STATUESQUE BODIES FROZEN mid-movement. They are haunting reminders of the power in your Hourglass - the very real power to decide their fates.
The castle has many winding paths to explore, as castles often do. There are sleeping quarters, HALLWAYS, a wine cellar, and a few large rooms presumably for diplomatic affairs. Players can use these rooms at their own leisure for whatever purposes they see fit. (Exploration, combat, or supply gathering.)
However, many of these rooms will require some strategy to access their full potential! Atirat were much more comfortable being underwater than many Kenosians may be. Therefore, rooms of higher importance may be COMPLETELY SUBMERGED or require swimming through an underwater pathway to reach them. Very minimal supplies will be kept out in the open for all to reach. More desirable supplies - such as warm clothing, small weapons, treasure, and the like - will be located past or within one of these flooded areas.
Players may gather supplies within and preserve their Sand or use their Sand to make other rooms accessible and gather whatever lies within! The larger the asset you attempt to unfreeze, the more Sand it costs - and the more drained/vulnerable you will be as a consequence, so choose your path ahead wisely.
Currently, a pervasive fog is preventing you from wandering beyond the Castle's limits. Should you try to venture past it, your Sand will rapidly be stolen and you will find yourself suffering the same fate as the islanders if you don't move back to safety quickly... However, if you ask Mr. Tibbs what lays beyond the mist - he will tell you about the thriving farmland, the once-bustling village surrounding the castle, and the beautiful coral reefs beneath it. Sadly, they're beyond your reach - but maybe if the Bearers decide to unfreeze them when the week is up...
THE CASTLE, however, is what dominates the landscape and it's where the Shard-Bearers will be spending their time. The white castle with colorful glass windows is obscured by a thick layer of clouds and fog. Nearly every location on the island has a thin layer of fog that rolls through it, which gives the entire Island an inescapable chill. The castle has artfully built rooms with a CAVALCADE OF DECORATIVE ICE, lavish mirrors, and white plants accented with blue decorations. Several portions of the castle are submerged due to the aquatic nature of the native residents.
And everywhere you go, you find them - STATUESQUE BODIES FROZEN mid-movement. They are haunting reminders of the power in your Hourglass - the very real power to decide their fates.
The castle has many winding paths to explore, as castles often do. There are sleeping quarters, HALLWAYS, a wine cellar, and a few large rooms presumably for diplomatic affairs. Players can use these rooms at their own leisure for whatever purposes they see fit. (Exploration, combat, or supply gathering.)
However, many of these rooms will require some strategy to access their full potential! Atirat were much more comfortable being underwater than many Kenosians may be. Therefore, rooms of higher importance may be COMPLETELY SUBMERGED or require swimming through an underwater pathway to reach them. Very minimal supplies will be kept out in the open for all to reach. More desirable supplies - such as warm clothing, small weapons, treasure, and the like - will be located past or within one of these flooded areas.
Players may gather supplies within and preserve their Sand or use their Sand to make other rooms accessible and gather whatever lies within! The larger the asset you attempt to unfreeze, the more Sand it costs - and the more drained/vulnerable you will be as a consequence, so choose your path ahead wisely.
Currently, a pervasive fog is preventing you from wandering beyond the Castle's limits. Should you try to venture past it, your Sand will rapidly be stolen and you will find yourself suffering the same fate as the islanders if you don't move back to safety quickly... However, if you ask Mr. Tibbs what lays beyond the mist - he will tell you about the thriving farmland, the once-bustling village surrounding the castle, and the beautiful coral reefs beneath it. Sadly, they're beyond your reach - but maybe if the Bearers decide to unfreeze them when the week is up...
LIBRARY (s a f e z o n e)
The ROYAL LIBRARY - A treasure trove of knowledge, history, and glimpses of a fractured past scattered throughout. The lower floor of the Library is void of much reading material and contains several intricate-looking art pieces on decorative pedestals.
A spiral staircase dominates the center of the room, with its once delicate structure overtaken by sheets of formidable ice; it leads you toward the upper levels where a sea of books awaits. There are isles and isles of books, most perched on intricately carved shelves. Many books lay in piles or are discarded onto the floor, and scattered papers are common throughout.
Curious Kenosians may pick out books from the shelves and read on various topics, but players may also pass through this room on their way elsewhere. This area will function as a safe haven where violence and the taking of others' Sand is not allowed; do not disturb the books or Mr. Tibbs won’t be happy!
Characters who wish to receive a book with lore specific to the island may comment [HERE]. You will be RNGed a book from a pre-written list of topics. The books may give you a deeper look into the island, its inhabitants, and its history! (Only 1 book per player! Please assume all other books they read are about commonly-available topics.)
A spiral staircase dominates the center of the room, with its once delicate structure overtaken by sheets of formidable ice; it leads you toward the upper levels where a sea of books awaits. There are isles and isles of books, most perched on intricately carved shelves. Many books lay in piles or are discarded onto the floor, and scattered papers are common throughout.
Curious Kenosians may pick out books from the shelves and read on various topics, but players may also pass through this room on their way elsewhere. This area will function as a safe haven where violence and the taking of others' Sand is not allowed; do not disturb the books or Mr. Tibbs won’t be happy!
NOTES
THE EATING PARLOR (p a s t)
There are no basic amenities on the island. No hot water, no warm beds, and no salacious magazines (that you know of. heh heh). That would make the Eating Parlour a wise stop for anyone. After all, this could be the perfect chance to procure some provisions!
The EATING PARLOUR has all the equipment one would need for meal preparation. Dried plants hang from the ceiling, and the walls are lined with mason jars filled with every strange manner of presumably edible thing (Is that a head over there? Hmm… maybe you should check).
The parlour also comes with a garden under a massive windowed dome so that the inhabitants could have fresh produce at hand. Many plants have withered, but there are some salvageable plants if you know how to look for them. But beware… Some of the plants have a strange blue glow. These plants can spell potential disaster.
If someone should make contact with these glowing plants, they will crumble into glass shards - glass that will quickly burrow its way under the skin and curse that person with Blight. Blight will make all resources within that person's vicinity slowly age and eventually crumble to dust. (Which I relate to on a personal level tbh.) Iconoclasts will be immune to its effects.
Please see the "Blight" section below for more information on its effects.
The EATING PARLOUR has all the equipment one would need for meal preparation. Dried plants hang from the ceiling, and the walls are lined with mason jars filled with every strange manner of presumably edible thing (Is that a head over there? Hmm… maybe you should check).
The parlour also comes with a garden under a massive windowed dome so that the inhabitants could have fresh produce at hand. Many plants have withered, but there are some salvageable plants if you know how to look for them. But beware… Some of the plants have a strange blue glow. These plants can spell potential disaster.
If someone should make contact with these glowing plants, they will crumble into glass shards - glass that will quickly burrow its way under the skin and curse that person with Blight. Blight will make all resources within that person's vicinity slowly age and eventually crumble to dust. (Which I relate to on a personal level tbh.) Iconoclasts will be immune to its effects.
NOTES
TREASURE ROOM (f u t u r e)
Faint singing can be heard coming from this room. Once you hear the song, it dulls your senses and leaves you in a haze. There is no stopping your feet from guiding you to it through the doors and into the Treasure room. The door slams shut at your back, sealed with a wall of ice and magic.
Players will find themselves lured to an icy chamber bordered by a ring of cold blue fire. There is a deep pond that surrounds the platform you’ve found yourself standing on. Beyond its glassy surface and crystal clear water, one can glimpse all manner of treasures - from crowns, jewels, ornate statues in various statues of repair, scepters, spears, and books that seem impervious to the water's cold chill.
As you come to your senses, you will find yourself frozen in place and at the mercy of a large statuesque being before you. This beautiful and horrifying figure in a perpetual song is the SIREN, the only Atirat you’ve seen in person. She measures nearly 20 feet (6 meters) from her head to the tip of her long-finned tail. She cradles an icy shard in her arms, singing to it as if it were a child.
She sits serenely in front of a large hourglass filled with white sand, which is bordered by a spear and a lance. Emblazoned in faint text at the base of where she sits reads: “The future lies in our hands.”
Welcome to the Siren’s Chamber! Players must use their wit, charisma, or some good ol' fashioned elbow grease to escape the room or break the Siren’s magic. The Shard that the Siren holds contains dormant time magic that players may activate by using the Sand within their necklace. Players can access the future in 5-second intervals and use whatever they find in that time period to escape their predicament.
For example, if they activate the shard by using their time magic, that shard will begin to glow blue. The room around them will shift, and it could change to a point in the future where there is a sword nearby. If you can grab it, now you have a weapon! When the 5 seconds are up and time returns to the present, you will still have that weapon on your person. You may also try verbal communication if you’d like. If your character is someone who would try and talk their way out of a situation diplomatically, they may give it a try!
It is up to player discretion/creativity to think of a scenario you’d like. Each “future" does not have to be the same across player encounters! What one group experiences may be tailored to the player wants (because branching timelines exist). Let your imagination run free!
Players will find themselves lured to an icy chamber bordered by a ring of cold blue fire. There is a deep pond that surrounds the platform you’ve found yourself standing on. Beyond its glassy surface and crystal clear water, one can glimpse all manner of treasures - from crowns, jewels, ornate statues in various statues of repair, scepters, spears, and books that seem impervious to the water's cold chill.
As you come to your senses, you will find yourself frozen in place and at the mercy of a large statuesque being before you. This beautiful and horrifying figure in a perpetual song is the SIREN, the only Atirat you’ve seen in person. She measures nearly 20 feet (6 meters) from her head to the tip of her long-finned tail. She cradles an icy shard in her arms, singing to it as if it were a child.
She sits serenely in front of a large hourglass filled with white sand, which is bordered by a spear and a lance. Emblazoned in faint text at the base of where she sits reads: “The future lies in our hands.”
NOTES
Welcome to the Siren’s Chamber! Players must use their wit, charisma, or some good ol' fashioned elbow grease to escape the room or break the Siren’s magic. The Shard that the Siren holds contains dormant time magic that players may activate by using the Sand within their necklace. Players can access the future in 5-second intervals and use whatever they find in that time period to escape their predicament.
For example, if they activate the shard by using their time magic, that shard will begin to glow blue. The room around them will shift, and it could change to a point in the future where there is a sword nearby. If you can grab it, now you have a weapon! When the 5 seconds are up and time returns to the present, you will still have that weapon on your person. You may also try verbal communication if you’d like. If your character is someone who would try and talk their way out of a situation diplomatically, they may give it a try!
It is up to player discretion/creativity to think of a scenario you’d like. Each “future" does not have to be the same across player encounters! What one group experiences may be tailored to the player wants (because branching timelines exist). Let your imagination run free!
HALL OF MIRRORS (p r e s e n t)
Should you reach the rightmost wing of the massive castle Library, you will find a door hidden in the very back of one aisle against a wall; it looks as though the door used to be concealed by magicks that have since dissolved.
The stairwell leads down and into darkness. Once you reach the bottom, shimmering light cast from an unknown source beneath sheets of glistening ice will illuminate your new surroundings; you are in a maze of mirror-like ice. This labyrinth is silent save for the quiet creaking of shifting ice that may disquiet you and leave you uneasy regarding the stability of this area… but it holds beneath your feet.
Mr. Tibbs had told you that the “Kaleidoscope” - where your Sand is counted - rests through here, so eventually, you must brave the journey. Is it a trick of the light? Maybe the product of an especially active imagination…?
Did you just see one of your reflections move without you?
Please refer to the OOC Summary for details on the Hall of Mirrors!
The stairwell leads down and into darkness. Once you reach the bottom, shimmering light cast from an unknown source beneath sheets of glistening ice will illuminate your new surroundings; you are in a maze of mirror-like ice. This labyrinth is silent save for the quiet creaking of shifting ice that may disquiet you and leave you uneasy regarding the stability of this area… but it holds beneath your feet.
Mr. Tibbs had told you that the “Kaleidoscope” - where your Sand is counted - rests through here, so eventually, you must brave the journey. Is it a trick of the light? Maybe the product of an especially active imagination…?
Did you just see one of your reflections move without you?
NOTES
THE BLIGHT and TIME MECHANICS
BLIGHT
TIME
NOTES
- An OOC POST will be coming shortly explaining how Sand is going to be tallied and the Oracle claimed.
- Should your character attempt to unfreeze any NPC's, please respond [HERE]. NOTE: unfreezing NPC's may result in physical violence with CW's for severe mental instability/illness and a potential reference to self-harm.
- HAVE FUN!!!
no subject
She wouldn't? Would she?
It was difficult to summon what she was trying, but she was the Diabolist, and summoning Demons was a dangerous art that she knew all too well. ]
Fine her source.
[ She bit out, as a binding of magic was flung at her younger self before it was swallowed. ]
She's going to summon a demon, and I will not be able to wrest it from her!
[ Her voice picked up over the howling sounds of wind, of an electric fire splitting in the fabric of a reality beyond a mirror, like she was summoning it from the mirror itself. She hissed, and threw another blocker, another few spells in the way, the magic whipped into a torrent as Akua tried to drain the magic itself from her younger self, but it only served to increase Keter's Due, and Akua's doppelganger forced more power into it.
The shadow that started to pool from the mirror was vile, as if the very ground it touched hissed and bubbled, like it was corrupting from its very atoms. ]
no subject
Like Sebastian? the thought crosses his mind before he nixes it; different worlds, and all that. Whatever kind of demon this Akua would summon almost certainly isn't a good one, considering everything, and that — combined with the way the environment around them is starting to get pretty fucked up — spurs him back into action.
So Amos unceremoniously drops to the ground, landing heavy next to the doppelganger. Her source, her source...
He has no idea what that means as he hurriedly looks over its body, but it's saying something, its lips moving, so with one hand Amos makes a grab at the doppelganger's wrists to hold behind its back, and with the other he grabs at.
Her face.
Specifically her mouth, using considerable strength to pinch on her cheeks — like when trying to force a dog's mouth to open so it drops something it shouldn't have — if not crush them entirely.
However successful his attempts are, he'll still look up at the real Akua, an almost frenetic sort of confusion on his face, if this is even helping delay things. ]
What's her source look like?
[ He's so new to all of this. Akua is proving herself to be formidable — useful — if this is what she's capable of, one way or another; all Amos really has at his disposal against someone like this is brute strength, and who knows how effective that even is. ]
no subject
The figure in Amos's hands let him crush her, and she seemed to unceremoniously dissolve into splinters of glass and ice in his hands as he crushed her. She even smiled at him, her look innocent as she did so. The figures of her in the mirrors didn't stop, and the warped mirror seemed to shape, and shift. The mirrors themselves seemed to bend away, some going black, as if there was no reflection as the demon of corruption made its first step into the world.
Akua hissed, and threw up a working to try to contain it. This was a trick the Hierophant had done, but even he had experienced a droplet of that corruption in himself, a dangerous game. ]
That one didn't have a necklace! The real one will have a necklace in it -- we need to find her -- fast. If this demon is loose, we'll have worse than simply the blight to worry about.
[ The creature fought against her binding, but she formed her hands into a ball, to try to contain it. Droplets of corruption slipped through, and started to spread, and Akua took a step back, to keep it from touching you. ]
no subject
Amos watches with a mild surprise as he unceremoniously kills it, only for nothing meaningful to happen; looks back up at the real Akua as she elaborates. A necklace, a necklace... but where the fuck even... ]
Can't we just break the mirror?
[ They know where that demon is coming from, so surely it should be as simple as that... but the way that even Akua is stepping back, he doesn't want to just charge forward and be done with it. He turns to look around him, smashing the mirror closest to him for good measure... and the one beside it as well, since they're the only things in sight he knows to break for sure.
He doesn't know if that's going to do anything. Probably not. Amos makes himself weightless again, to give him a better vantage point... to keep himself out of harm's way too, maybe. ]
How many of you are there??
[ There's an edge to his voice, one feeding off of the urgency she herself exhibits. ]
no subject
[ She is doing the best she can. She knows how the working works. Hierophant had done something similar with a Demon of Corruption once before, and she pulled at the pieces, and started to birth this technique to life again. Her weaves are complex, and accurate, and magical letters float before her, as she starts to compress the space before her and around the creature, to start to put it into a smaller, and smaller box.
Once, the Hierophant had trapped a Demon of Corruption so tightly, that it had been well and fully contained. Other than the small portion of corruption that had been trapped within his own mind -- something she did not wish to deal with. There were some parts of her magic that didn't seem to work, and she did not want it to apply to that. ]
I don't know -- [ She finally admitted; her focus fully on the Demon. ]
The Necklace -- look for the necklace. [ A sharp breath, and then: ] It has her soul. Rip her heart out.
[ Intimate. Something only Catherine had done to her, but there was no other way now, her focus had to be on compressing, and containing the demon. ]
no subject
So instead he floats up higher, looking around him. Looking, looking... and he thinks he spots a glint, a bit of movement, something from a different set of halls near the gateway. Around the corner. Down a ways.
Akua says to look for a necklace, to rip some other version of her's heart out, and okay. Yeah. He can do that much.
It's with a grace that only comes with decades spent in weightlessness that Amos sends himself back to the ground — and then he's taking off around that corner, charging up on what he's pretty sure is exactly what Akua told him to look for, ready to plow right into it, knock it to the ground, incapacitate it — anything to try to get a grip on what he's pretty sure is that necklace and rip it from it, crush it in his hand. ]
no subject
It was gruesome, in a way.
Meanwhile, Amos's eyes were true, and there was a version of Akua with a necklace, her own spellcasting interrupted by Amos's attempt to barrel right into him.
Her hands outstretched, she tried to stop him, her own force against his manipulation of gravity, her lips peeled back in feral anger, her laugh high and shrill as she promised death upon his head and suffering of untold ages if he took it from her.
After all, the necklace that he was reaching for, that his fingers clasped around the metal chain to, contained Akua Sahelian's very soul. ]
no subject
He was told to grab a necklace, so he grabs the necklace, putting everything he has in him to wrench it from it. Let the metal chain dig into its skin before it snaps, before he's holding it in his fist, pushing the doppelganger back and crushing its necklace in his hand with everything he has in him.
He thinks he feels something fracture and, not letting up, calls out to the real Akua elsewhere in the hall, ] We looking good?
[ This is it, right? This has gotta be it. ]
no subject
Not that Amos could see her. ]
Yes.
[ She said, her voice hoarse. ] That was it. Thank you, for dealing with her.
[ Her heart slowed, and Akua tried not to think of dying again, something that this felt all too close to. ]
no subject
No problem.
[ It hadn't really been, in the end — though that's easy to say now, with the threat alleviated and all.
Amos takes a moment to regain his breath before striding back out towards the part of the hall where all of that had been going on, entering Akua's line of sight again, whereupon he tilts his head in question. ]
Haven't seen you in a while. [ Not since the festivities at the reflecting pool were coming to an end. ] This the kind of thing you've been up to?
[ Kind of a joke, but also, you know.
What gives. ]
no subject
Well. She'd though he seemed rather comfortable in Highstorm, in a way that not many were. He spoke with the easy familiarity of someone who considered it to be where he belonged. She, however, had not belonged there, as much as she had... felt the draw of it.
It felt natural, to walk in darkness, after all. Right. She was a Villain, of the highest and tallest order, she dwarfed all beneath her other than Dread Empress Triumphant -- May she never return. ]
Well, my dear, I do believe that is because I do not stay in Highstorm, whereas you do, yes?
no subject
[ There's a casualness that belies what he's really thinking, though there's a chance that, based on how she's answered him, she's already thinking the same: he resides in Highstorm, which means he's a Zenite, which means he intends to use the sand here to benefit Zenith. She does not reside in Highstorm, and yet has powers, which means she is Meridian.
The kaleidoscope is just down the hall.
Amos starts walking back towards Akua, gait slow, easy. ]
So, I kill you, we save the world, you keep your sand. [ Which seems to basically be what happened. ] What's the plan now?
[ What are you planning on doing with it?
Do I have to stop you now, too? ]
no subject
She'd known he was a Zenite, of course, but the attitudes between them had been rather... less than hostile for the most part. Akua had not necessarily planned for Amos to attack her, but a Sahelian was always prepared for a betrayal -- being of the first betrayal, of course they were -- but still. She tipped her head, and smiled, something sharper than she'd offered him earlier.
The smile of a villain, partially a challenge. ]
Personally, I wished to use my sand toward Meridian's resources, given that we are both in need of such things.
If you want to do something different, dear, you will have to prove to me that you're capable of taking it.
I am not an easy target.
[ She wished, however, that she had worn armor. ]
no subject
Interesting thing to say to someone who just killed a version of you.
[ He already has proven it.
Still, Amos keeps walking towards her, pace same and steady as before. He needs to get close. Charging at her probably isn't gonna do anything. Weighing her down might not, either.
Just let him get close enough, though, and his hands around her neck'll probably do the trick. ]
no subject
[ Akua said it, haughty. She did not step back, but with the power of the sand at her side, she pulled a small amount out, a challenge on her face. ]
Do you think that I had learned nothing since then? That version of me... was all hate and spite, and didn't know anything about an even greater power.
[ The power of Friendship, actually. She does not summon yet, with her sand, but the threat is there. What would happen, if she pulled her memories of the Warden free from her memories. She wondered if Amow would handle it?
Sometimes, she wished she could ask Catherine what she thought -- of all of this? ]
Don't be overconfident yet.
no subject
[ Overconfident. Amos continues towards her as she pulls some of her sand out. A warning, he figures, to go with her words. That Akua has grown since then, that she's learned since then — even though her past self's methods seemed to have her at least somewhat stressed out.
But if she doesn't want him to take her lightly, then he won't. Without breaking his own stride, he pulls a bit of his own sand out. Something small, he figures, as he closes the gap. Small, and quick, and something he won't really miss.
A pistol forms in his hand, and without missing a beat he pulls the trigger, aiming for her centre of mass. It's all accomplished in one quick movement, Amos counting on his spontaneity — not to mention the fact that he doubts Akua knows what a gun is — to get the job done for him, give him that leg up he needs.
At the very least, he's good with attacking first. Whatever her responses is, at least there'll be no more of this posturing bullshit. ]
no subject
Akua laughed, and lifted her hand, and the thing -- whatever it was made of -- it would burn, and she started to light it on fire with a quick spell, and a few steps back. The crow cawed, and it rumbled, echoed, and she started to cast something.
It was not immediate, whatever she was doing, but it's obvious she's pulling from a well of... something. Not just magic, if the knowing look in the Crow's eyes says anything.
Amos had better rush in, and take her before she finishes! ]
no subject
So Amos picks up the pace, unloading his clip towards her (or the crow, or whatever) as he does, accuracy less important to him than the brute force of attackattackattack. He tosses the gun right at her head once he's out before focusing on the old trick of making Akua heavier than she actually is in an attempt to root her in place, aiming to tackle her — bring her to the ground, grip her upper arms to pin them and keep her from moving them or doing anything else with her hands if he can. ]
no subject
Is he going to kill her? No, she thinks not. She'd just had his help. Is it because she is Meridian? Possibly, but had he truly thought that she was just missing?
Her brain has no time to come up with answers. He threw the gun, and it bounced off her shield, and she's dropping it to finish the last of her spell as he gets in close. The crows wings flap in his face as she caws with something unearthly -- Komena was always violent -- but he moved faster, and Akua's spell has no place to go, although she looks at him with a furious stare.
He'll see, in her shard -- a vision of her so similar to just now. In a castle, a memory to take, something that is integral to her core. Even from here, outside of the memory, it feels... Sad. Shamed. ]
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Fact of the matter is, he hadn't been thinking about her much since their chance meeting some month ago. He'd just... assumed, and it's not like he's in tune with most people's feelings, or most people in general. Acquaintances are often out of sight, out of mind for him, and this had been that.
It isn't a betrayal to him that she'd gone Meridian — it's just fucking odd. And relevant, here and now, where there actually are stakes where there weren't any before.
So he gets ahold of her. Throws her to the ground, pins her with one hand while using the other to try to swat the crow away, or at least out of his face. Any scratches or pecks he takes from it — fine, they're mild, he can bear the temporary brunt while he takes cares of this little problem first. Meets her furious stare with a dispassionate one, because she's a job to take care of and nothing more, and that's just how he operates. Blank and empty, a vessel for doing what needs to be done.
As he reaches for her sand, he sees that memory stand out above the rest — and shit, not like he's picky. Amos takes a firm grip on it, pulls the sand out of her and all it contains. It affords him glimpses — maybe the answer to why she went Meridian after all — and then it's gone, absorbed into his own pool.
He can look at it later, when he's got time. For now he keeps hold of her, waiting to see what she'll do now that he's taken something from her and has retained this position of power over her.
But it's not like he really even needs to kill her. Right? This was plenty on its own. ]
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A miasma of memories that are -- confusing -- emotions even moreso? Why did she feel that well in her heart where it lay? Why did she feel so sad? Why did she feel this deep, unknowable pain in her chest? That felt like the air was to be sucked out of her, and the little Squire -- nay, Queen of Winter -- no, The Warden -- why did her memories not make sense? It's a jumble of experiences without context or understanding. Akua Sahelian had always prided herself on her mind, but in this moment, she cannot do more than think.
Her breathing is hard, her eyes furious. What had he taken? What had he Taken that made her feel like that?
Her face twisted into something ugly, her lips peeled back and eyes furious, and it's with a shockwave that she tried to push him back, a force of pure uncontrolled energy that threw him outward, her hands clawed as she did so. Her mind reeled --
How long have you been pretending, Akua? The Warden had asked.
Ah, yes. How long, indeed?
She remembered a great deal, still. Slapping the bard to quiet her, Catherine told her that she loved her, they'd kissed, and she had --
She hadn't supposed to have died. She would have been more if it hadn't been taken from her. She felt fury, horror -- Confusion, and she turned burning eyes to Amos, fury splitting her face, turning what was beautiful... mad, and ugly. When she spoke, her voice was a screech, just as ugly as her face had been, the madness that she'd lost taken hold. ]
What did you take?
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And for her, he's got nothing, just watching her from above as she screeches at him — and in warning he makes her heavy, too heavy, stapling her to the ground, applying pressure to her organs, restricting her blood flow... ]
I took what was there. [ It's a simple, calm answer; it's also the truth. ] I don't know what it was. Whatever you were thinking when we were just fighting.
[ Maybe it had to do with the demon? But he doesn't actually... care. It's over, and it's done with. The kaleidoscope is down the hall. He can now offer up more sand than he would've been able to before.
A beat. A question, spoken softly, but his words full of promise. ]
Are you going to make me take more?
[ Because if he needs to take more sand from her — if he needs to kill her — then he'll do it, no problems. ]
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She's so furious, but she isn't stupid. She's had too many experiences now to be so foolish.
Why? What on earth possessed her to -- ]
No.
[ She hissed it out, a pool of seething anger and aggression. ]
I would watch your back, Amos. I do not suffer such attacks lightly.
[ She would rend him -- tear him to pieces -- for the insult. She would force him to cut pieces of himself to serve her, if it meant her revenge completed. She would find the heart of his faction -- Zenith -- and she would destroy them, if it meant revenge would be served for the insult.
Oh, she would destroy him, no matter who got into the way.
And why...
Wh did that make her feel so sick to her stomach, to think such a thing? ]
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So. ]
Alright. [ It isn't a blank, empty statement. It's one of acknowledgment, verbal confirmation that he has heard her. Something is up with her, a wounded animal pinned down, and those types don't say shit just for the sake of it. She means every single thing she is saying right now, and it'd serve him best to believe it. ] Then I'll be ready for you the next time, too.
[ Calm, composed, and just as serious as her. Why fuck around when a potential future adversary has told you exactly who they are?
He pauses another moment, waiting, before lowering himself back to the ground. Making his way through the hall, down to the kaleidoscope — keeping her pinned as long as he can and as long as his range will allow, and keeping a watchful eye out for her all the while.
She told him to watch his back? That's exactly what he'll do. ]
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[ She spat it, like cruelty flaked from her mouth. Vile poison that spilled as her lips still peeled back, turning her normally fine smile into a feral gnashing of teeth, a too-wide, almost mad look in her eye. What had he taken? She remembered too many things, had too many questions. It had clearly been her defeat, but how, and why had she decided to play along with Catherine Foundling of all the people on Calernia? Someone she could have Crushed if given the chance.
Why did she feel deep guilt, deep pain, and a loss that punctured her into her ribcage, and why did she then feel like there was a piece missing from her. ]
I was called the Diabolist of Praes, and if you think I will not hunt you down with the very Demons that linger in the far-off hells, you will be greatly mistaken! Watch your ever step, for if I find you again, I will wreak horrors upon you that you will shudder to remember, and struggle to avoid.
[ But Amos is backing up enough, her rambling, her madness explosive, and furious. Thankfully, she will regain this, but nothing will erase that fury. ]
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